“There is an entire meditation, in Journey, on writing. The visions are iconographic — the graphemes it uses are representations of embodiment and embodied action, and like all representation, it operates by demanding interpretation. The revealed story — the story communicated through the visions — is perfectly clear and perfectly ambiguous. Life, living cloth, both flora and fauna, emanate from the energy of the mountain. People begin to direct energy, first into greater cloths, and then into structures which use cloths as energy sources. The people attain great heights, and then the energy starts to flicker. There is a tearing of the cloth. New, terrible machines are built under storm and cloud. The world is covered in sand. A single traveler appears, and moves through the ruins of the world to the mountain.” Read “Three meditations on Journey“ by Gavin Craig
The Gamers’ Club is playing Cave Story. Read “Let’s get retro” by Daniel J. Hogan, “Platform mechanics” by Kevin Nguyen, and “Jumping into story” by Gavin Craig
“It’s easy to wonder if the Caps and the Canadiens might have been altogether better off keeping the coaches they started the season with. After all, Boudreau was just signed to a two-year contract with the Anaheim Ducks, so couldn’t Ovechkin have gotten over himself? And I’ve seen Martin on some lists as a potential Hunter replacement for the Caps, just to make things weirder. There’s obviously no way to know. Inevitably, more coaching switches will go down between now and next postseason, but these two organizations will be the teams to watch. Their ability to weather a revolving door of coaches — and possibly players — may help other general managers with their hiring and firing decisions, whether they know it or not. Or at least, a GM might think twice before firing a coach to try and stir the pot.” Read “Stirring the pot: How coaching changes landed two ice hockey teams in hot water” by Yael Borofsky.
“Farscape was why my spouse and I bought a TiVo. It was a show we discovered not long after we got married and that we were soon watching faithfully. But we discovered after our babe was born in 2001 that live television watching wasn’t compatible with baby minding, and we rediscovered the unreliabilty of taping shows on a VCR. We couldn’t do without Moya and her crew, and so we bought a first-generation TiVo, along with a lifetime subscription to its services. We’ve been proselytizing the joys of TiVo ever since (we’ve upgraded to a recent model and have hacked that to increase its memory). But Farscape had disappeared from our lives for a while. It went off the air, and although I’m pretty sure we own it on DVD, I don’t tend to remember to watch my DVDs. But with its appearance on Netflix Instant, nothing can come between me and Ka D’Argo again.” Read “Farscape: Soap in space” by Sarah Werner.
“Since TECT, the machine to which humans had conceded the government of their lives, ordered Sandor Courane into exile on Planet D (which the colonists inevitably called Home), he had no choice but to go. And on Home, Sandor found respite from his failures on Earth (TECT had mercifully given him 3 chances: as a basketball player, a science fiction writer, and a factory worker) and a community whose work filled him with pride. But Sandor also discovered that on Home, there were two types of colonists: patients infected with a terrible fatal neurological disorder, and prisoners to take care of them as they forget everyone and everything they once loved. What caused D syndrome? Why would TECT let this happen?” Read “TECT Knows Best” by Suzanne Fischer.