It’s not what you say, but how (and when)
The shotgun would ignite, and Ella Mae would scream, but Robert Ford would only lay on the floor and look at the ceiling, the light going out of his eyes before he could find the right words. Finding “the right words” is a quest all writers are intimately familiar with. Everyone knows that it’s not … Continue reading
Roger Deakins, coming to light
The train robbery sequence that opens The Assassination of Jesse James by the Coward Robert Ford (2006) is breathtaking. Jesse and his men stand in the woods as their target approaches, its light piercing through the trees temporarily illuminating their hooded faces before they slip back into darkness. Soon, the train slams headlong into the … Continue reading